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What To Do When The Bus Doesn’t Come And You Want To Scream. An Experiment : Krulwich Wonders… : NPR

June 8, 2013 Posted in programming, Quotes, time and attention by

NPR: What To Do When The Bus Doesn’t Come And You Want To Scream. An Experiment : Krulwich Wonders…:

A few years ago, The New York Times reported that airline passengers in Houston were complaining bitterly about how long they had to wait for their bags at those rotating carousels. Airport officials quickly added baggage handlers to speed up delivery, but though they cut the time to eight minutes (well within the industry average) the complaints didn’t stop. People were peeved, because it took one minute to get to baggage claim, and they had to wait around, doing nothing, for the next seven minutes. In other words, 88 percent of their post-flight time was spent waiting.

So what did the airport do? Officials moved the arrival gates farther away from baggage claim and routed bags to the farthest away carousels, making everybody walk six times longer to get to their luggage. That way, by the time people got to the carousels, the bags were already there. No wait, no stress. ‘Complaints,’ says the Times, ‘dropped to near zero.’”

Brilliant.


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AD13 & AD14: Bikes, Art, Records and Photography

May 23, 2013 Posted in Artist Date, Project 52 by

I’ve been a busy bee these last few weeks. A little too busy, sadly, and I’ve been neglecting a few things, as you might have noticed from the dearth of posts on t’blog.

On the plus side, I’ve learned enough iPhone programming to submit my first iPhone app to the App Store. It’s a pretty trivial body weight converter, so I don’t know if it’ll get approved, but I think it works pretty nicely, and, more importantly, it fills a little niche: there aren’t many weight converters that handle stones well. (Even Google Search’s good built-in conversions don’t do stones justice. They claim 209 pounds in stone is 14.9286, where of course a human — at least a British or Irish one — would be expecting the answer “14 stone 13 pounds”.)

Anyway. Playing catchup, in the last four weeks I’ve at least managed a couple of artist dates.

In the first one, I was just going to nip into town to head for a record store on Record Store Day. As things turned out, I basically had an extended, half-day, multi-trip artist date. I started off with a ferry ride into town, where I tripped over The Bristol Bike Show, filling Corn Street and its environs with motorbikes and mopeds.

Then — after bumping into my friend Paul and having a coffee at the always-lovely Sourdough Cafe, I walked up Park Street to head for Rise, but got distracted by Lucy Edwards’ installation Gross Domestic Product in the little gallery opposite College Green, not least because she was handing out free chocolate cake.

In the end, I made it to Rise and wandered around in the lovely Record Store Day atmosphere. I didn’t buy any vinyl — I think my LP days are over — but I did grab a copy of The Kniφe’s Shaking the Habitual.

That was mostly done in the spirit of buying new music I’d never heard of, though my choice was influenced by them being next to Bastille’s Bad Blood, for an exceptionally geeky reason. That album was styled “BΔSTILLE: BΔD BLOOD”. At least Kniφe’s Greek letter makes sense, damn it. Substituting Greek letters that just happen to look like an English letter just looks illiterate to me. (Yes, I’m a πedant. Sue me.)

My second artist date was a lot shorter and simpler. I just went to take photos of the side of the Avon Gorge, like this one:

Colonnade

It’s a view I’ve always enjoyed while I’ve been out jogging down the towpath, but never spent the time to go capture with a proper camera on a tripod. My artist date came in useful for digging up the motivation to make some time for that. I think I might go back when the sun’s somewhere slightly different — with it just on the top houses, I had problems getting the detail I wanted below without blowing out some highlights.

So. Yes. I’ve skipped a couple of artist dates, and my Project 52 isn’t exactly on track at the moment. Playing catchup may be tricky for a while, so I think I’m just going to go back to my one-a-week schedule to make sure I stick with the project, rather than feeling guilty about it. There may be time to play catchup later. A friend of a friend is about to have a 30th birthday party where she does thirty things she’d always wanted to do before she was thirty in the space of a single day…


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The Morning News: Paris and the Data Mind

May 20, 2013 Posted in links by

The Morning News: Paris and the Data Mind

Craig Mod:

It’s no longer just the edges of a life, a general amassed physicality. It’s the millimeter precision of runs, the numbers of times “Hey Jude” was played, the minutes spent reading Harry Potter, the version-controlled genesis of an essay.

A great article on the Fitbit in particular, and the way we’re now measuring stuff so much in general.


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AD12: Chocolate

April 20, 2013 Posted in Artist Date, Project 52 by

Though I have been silent for a couple of weeks, I’ve not been inactive on the whole artist date front. I’ve just been a little too busy to write up last week’s date until now.

Last week I took an hour or so out on the way back from lunch (at the rather lovely Soukitchen in Bedminster) to wander to Mshed’s chocolate exhibition.

I suppose I had some vague grasp of Bristol’s links to the chocolate trade, but the little show (£5 entrance) pulled together what few facts I knew and added an extra-thick topping of fact sauce, with a lot of props and photography thrown in.

I liked: the pictures of the big chocolate factories of central Bristol; the early history of chocolate, from being made by apothecaries (who had the necessary gear on hand) to the first chocolate easter egg (made by Fry’s in 1873); the cute little chocolate production line, including the “spinners” used to make aforementioned eggs; and the little “branding” room where you could see the evolution of packaging of various popular chocolate bars.

I also had one long-standing misapprehension corrected. I’d always assumed that Bath chairs got their name because they looked a bit like a bath. I didn’t know they were actually invented in Bath! In my defence, I’d mostly only seen them drawn in cartoons in the pages of the Beano and Whizzer and Chips when I were a lad…

The intended audience for the exhibition is definitely families with children — there are some nice little touches for kids, like the little “Oompa Loompas Only” entrance to the branding section, and the little white factory coats laid on for the production line section, along with a proper “punching in” machine. I’m not sure I got as much out of my fiver as a family would have got from their tickets, but it was a diverting little artist date, nonetheless!


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AD11: A Wander Around the RWA

April 8, 2013 Posted in Artist Date, Project 52 by

(Being the latest in a continuing series about my year of “artist dates”.)

20111029 IMG 3852

I am over my man-flu. Hurrah! Last week I took advantage of the sudden sunshine to take a pleasant walk to the Royal West of England Academy. I enjoy the RWA. It’s a lovely old building and has a variety of shows on throughout the year. They run the gamut from the grand to the playful, sometimes doing both at once, like sticking Damien Hirst’s 22-foot Charity on the balcony.

The current exhibition is Drawn, about drawing in all its many forms. There was way too much to see in one visit, which is why I’m glad I’m a member of the RWA’s Friends, which is basically an annual season ticket to the place. (Though I’m not quite sure which of the two warring factions who claim to be the Friends I’m actually a member of at the moment. Internecine warfare in the art-supporters’ world can be a bit complex and grisly, it seems.)

I always enjoy art that breaks its boundaries a bit, so it was good to see some art drawn straight onto the walls, and in one case the floor. I also like a bit of technology, of course. The first bit I saw was Ross Wallis’s iPad of life drawings bolted to the wall, but things got even more hands-on in one corner of the gallery, where Debbie Locke was letting a robot run around doing its own doodling, and encouraging a couple of small girls to interact by means of batting the little penbot around in a friendly way. You can see some of the output on the Tumblr of Karen Wallis’s Drawing Lab, which was the adjacent artist’s residency.

Anyway. I won’t go on. If you’re in Bristol, go and check it out. It’s open until 2nd June. My favourites from my first viewing were Anna Falcini’s Veil of Fog, Ros Ford’s The Vetch, and Lorraine Robbins and Daniel Sparkes’ collaborations Stoaties Iron Yard and 40 Milligrams Memento Magnus, which were pleasingly surreal.

Floored


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